but i’ll always pretend that you’re mine
though i know that we both must part
you can live in my heart
The incredibly talented and super smart Evan Rachel Wood called out the MPAA on their misogynistic, sexist crap after seeing the new cut of her movie and she ain’t wrong.
it’s the stupid details that my heart is breaking for
it’s the way your shoulders shake & what they’re shaking for
Sterner Stuff: Why Sansa Stark Is A Political Powerhouse (via fuckyeahsansastark)
The dichotomy of feminine Sansa and her tomboy little sister, Arya, coupled with the modern tendency to champion a misunderstanding of feminism in the form of “strong women” only, erroneously causes many readers and viewers to assume that Sansa is somehow in the wrong from the very beginning. They view her through the misconception-colored glasses of “femininity=weakness”, and assume she is weak, soft, and shallow.
Despite the wishes of fanboys everywhere, Sansa Stark is here to stay, and may be one of the most important characters in political-fantasy to date. The young girl, trained in courtesy and domestic arts, began coming of age, gaining political awareness, and fighting for her own survival before many other characters in this series, and has the potential to become the most powerful player of “the game of thrones” in Westeros.
Ivan the Terrible and His Son Ivan on November 16, 1581, Ilya Repin.
This painting depicts the historical 16th century story of Ivan the Terrible mortally wounding his son in Ivan in a fit of rage. By far the most psychologically intense of Repin’s paintings, the Emperor’s face is fraught with terror, as his son lay quietly dying in his arms, blood dripping down the side of his face.
Brienne’s story is an adaptation of a traditionally male narrative, one that usually sidelines or victimises female characters. She swears fealty to a woman, as male knights swear to their liege lord, because she respects that woman’s strength, her bravery and her kindness. She goes on a quest to save the beautiful maiden, but not to marry her or benefit from the quest in any way, but to return her to her mother. Because she cares for Catelyn, and because it is the right thing to do. It is a story of a woman, rescuing a woman, for the sake of another woman. It is a rare story where the mother, the young girl and the shieldmaiden are all given equal weight and worth. Brienne, despite taking on many stereotypically male traits, is not “one of the boys” or in any way dismissive of her gender as a group. She does not fit into the role that society has assigned for her, but she does not disparage those who do. She uses her strength and her skill to respect and help other women in ways that most men in Westeros would never even think to attempt, because she understands, more than any other knight, that women are truly worth something as individuals.“There Are No True Knights: Brienne of Tarth” @ Feminist Fiction (via jaimelannister)